Yael Bartana - Annet Gelink

Commentaren

Transcriptie

Yael Bartana - Annet Gelink
Yael Bartana
1970
Born in Kfar Yehezkel, Israel
Currently lives and works in Tel-Aviv and Amsterdam
Education
2000-01
Rijksakademie van Beeldende Kunsten, Amsterdam, NL
1999
MFA studies, School of Visual Arts, New York, USA
1992-96
BFA, The Bezalel Academy of Arts and Design, Jerusalem, IL
Prizes
2010
Winner of the Artes Mundi 4, Wales, UK
Winner of the Principal Prize by the International Jury and the Prize
of the Ecumenical Jury at the Oberhausen Short Film Festival, DE
Winner of the 2010 Häagendaismo. Madrid, ES
2009
Winner of the 2009 Prix Dazibao, Montreal, CAN
2007
Winner of the Gottesdiener Foundation Israeli Art Prize 2006, IL
2006
Recipient of the 2006 Ministry of Science, Culture and Sport Prize, Israel, IL
2005
Dorothea von Stetten-Kunstpreis, Kunstmuseum Bonn, DE
Prix de Rome, 2nd award winner, Rijksakademie, Amsterdam, NL
2003
Anselm Kiefer Prize, The Wolf Foundation, IL
1996
The Samuel Prize, for the video/sound installation ‘Ant-Bulb, Bezalel Academy of Art
and Design, Jerusalem, IL
Residencies/Fellowships/Stipends
2009
Center for Curatorial Studies, Bard Collage, Annandale-on-Hudson, NY, USA
2007
Fonds BKVB, Amsterdam, NL
2006
Foksal Gallery Foundation, Warsaw, PL
2005
Platform Garanti, Istanbul, TR
2003
Rooseum - Center for Contemporary Art, Malmo, SE
2002
Jerusalem Center for Visual Arts (JCVA), Jerusalem, IL
2001
NUFFIC, NL
Rijksakademie van beeldende kunsten/Dutch Ministry of Education, Culture and
Science, NL
2000
Stichting Schürmann-Krant, NL
Stichting Trustfonds Rijksakademie, Amsterdam, NL
Solo Exhibitions
2014
2013
2012
2011
True Finn – Tosi suomalainenn, Annet Gelink Gallery, Amsterdam, NL
True Finn – Tosi suomalainenn, IHME Contemporary Art Festival, FI
Inferno, Maltz Museum of Jewish Heritage, Beachwood, Ohio, US
Stedelijk Museum, Amsterdam, NL
Two Minutes of Standstill: A memorial day for the victims of National Socialism,
Impulse Theater Biennale 2013, Cologne, DE
Petzel Gallery, NY, US
Wenn Ihr wollt, ist es kein Traum, Secession, Vienna, AT
…and Europe will be stunned, Tel Aviv Museum of Art, Tel Aviv, IL
…and Europe will be stunned, Van Abbemuseum, Eindhoven, NL:
…and Europe will be stunned, Louisiana Museum of Modern Art, Humlebæk, DK
…and Europe will be stunned, Art Gallery of Ontario, Ontario, CA
,,,and Europe will be stunned, University of California, Irvine, US
…and Europe will be stunned, Australian Centre for Contemporary Art,
Melbourne, AU
…and Europe will be stunned 54 Venice Biennial, Polish Pavilion
Zacheta Gallery, Warsaw, PL
UAF/ ROOM gallery, University of California, Irvine, US
and Europe will be stunned, Moderna Museet, Malmö, SE
If you want, we’ll travel to the moon together. Mary Koszmary, Mur I Wieza, Annet
Gelink Gallery, Amsterdam, NL
If you want, we’ll travel to the moon together. Mary Koszmary, Mur I Wieza, Sommer
Contemporary Art, Tel Aviv, IL
Mur I Wieza, Museum of Modern Art, Warsaw, PL
Mary Koszmary, Contemporary Jewish Museum of San Francisco, US
Mary Koszmary, Jewish Museum, New York, US
Auto Sueno y Materia, The Kings of the Hill, Centro de Arte Dos de Mayo, Madrid, ES
Trembling Time, Kings of the Hill, PS 1 New York, US
Summercamp, a Declaration, Kerstin Engholm Galerie, Vienna, AU
Foksal Gallery, Warsaw, PL
Galleria Raffaella Cortese, Milan, IT
Mary Koszmary , Center for Contemporary ArtTel Aviv, IL
Summer Camp, Amsterdam, NL
Ritual, “Wild Seeds”, The Power Plant, Toronto, CA
th
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
Yael Bartana, In the Army I was an outstanding soldier, Wild seeds, Low relief II,
Profile, Summer Camp.” March, Fondazione per l’arte contemporanea, Curated by
Gabi Scardi, IT
Kunstverein Hamburg, “ When Adar Enters, Kings of the Hill, Trembling Time, a.o.”
Hamburg, DE
Stedelijk van Abbemuseum, “Odds and Ends, You Could be Lucky, Ad de’lo Yoda, Kings
of the Hill”, Eindhoven, NL
Amateur Anthropologist Fridericianum, Kassel, DE
Collective Gallery, “Sirens’ Song”, Edinburgh, UK
Museum St.Gallen, “Wild Seeds”, St.Gallen, CH
Annet Gelink Gallery, photographic works in projectspace The Bakery, Amsterdam NL
Sommer Contemporary Art, “You Could Be Lucky”, Tel Aviv, IL
MIT, List Visual Arts Center, “When Adar Enters, Ad De’lo Yoda, Kings of the Hill”
Cambridge, Massachusetts, US
Prefix Institute of Contemporary Art, “Trembling Time”, Toronto, CA
Büro Friedrich, “When Adar Enters, Blimp”, Berlin, DE
P.S.1 Contemporary Art Center, Kings of the Hill, New York, US
Herzliya Museum for Contemporary Art, Blimp, Herzliya, IL
Purim Spiel, Annet Gelink Gallery, Amsterdam, NL
Kerstin Engholm Galerie, Kings of the Hill, Vienna, AU
Herzliya Museum for Contemporary Art, Kings of the Hill, IL
Galeria comercial, “Trembling Time, Kings of the Hill”, San Juan, PR
Museum Beelden aan Zee, Trembling Time, Scheveningen, NL
Variables X Y Z Digital Art Lab, “Profile, Tuning”, Holon, IL
Caermersklooster, “Profile”, Gent, BE
Group Exhibitions
2014
Vladivostok International Film Festival Pacific Meridian, Vladivostok, RU
Story Time: Or Was It?, Tel Aviv Museum of Art, The Helena Rubenstein
Pavilion for Contemporary Art, Tel Aviv, IL
La disparition des lucioles, La Collection Lambert, Avignon, FR
A Moving Image, Art Gallery of Alberta, Edmonton, CA
Shifting Sands, ASU Art Museum, Arizona State University, US
SALT Beyoglu, Istanbul, TR
Art From Elsewhere, Gallery of Modern Art, Glasgow, UK
Zacheta National Gallery, Warsaw, PL
La Guerra che verra non e la prima, MART – Museum of Contemporary
Art, Trento, IT
19 Biennale of Sydney, Sydney, AU
Sammlung Goetz / Bilder in der Zeit , Haus der Kunst München, DE
th
Les Gueules Cassées , Kunsthalle Mainz, DE
2013
2012
And I laid traps for the troubadours who get killed before they reached
Bombay , Clark House, Bombay, IN
ARCO Museum Korean Art, Seoul, KR
9 Artists , MIT List Visual Arts Center, USA
A Room of His Own , Art Sonje, KR
31st São Paulo Art Biennial, BR
Carnegie International , Carnegie Museum of Art, Pittsburgh, US
Vot ken you mach? Contemporary Art, Films, Cartoons, Concerts on Jewish
Identities Today , Kunsthaus Dresden, DE
In the Aftermath of Trauma: Contemporary Video Installations , Mildred
Lane Kemper Art Museum, St. Louis, US
Incomparable hiStories , Koldo Mitxelena Kulturunea, San Sebastián, ES
The Glorious Rise and Fall…(and so on) , Groot Ziekengasthuis, ’sHertogenbosch, NL
Israel Now-Reinventing the future , Macro Testaccio, Rome, IT
Speak Memory , Wallach Art Gallery NYC, NY, USA
9 Artists , Walker Art Center, Minneapolis, USA
Miami Art Museum, Miami, USA
Compromised Land , Neuberger Museum of Art, Purchase College, State
University of New York, Purchase, NY, USA
Io, tu, noi gli altri (Me, you, us and the other), Chiostri di San Pietro, Reggio
Emilia, IT
VIP Showroom, Annet Gelink Gallery, Amsterdam, NL
Contre L’Histoire, Kunsthalle Freiburg, DE
7 Berlin Biennale, Berlin, DE
Chronicles of Dissent, Marginal Utility, Philadelphia, USA
True Stories: Scripted Realities, Govett Brewster Art Gallery, NZ
Middle East Europe, DOX Centre for Contemporary Art, Prague, CZ
Divided/Undivided, Art in Germany 1945-2010, Staatliche
Kunstsammlunguen Dresden, DE
52 October Salon, Belgrade, RS
Kritische Masse, Hoschule für Bildende Künste Dresden, Dresden, DE
Past Desire// Vergangenes Begehren, Galerie im Taxispalais, Innsbruck,
AT
Communitas/ Among Others, Camera Austria, Graz, AT
Strange and Close (works from the Van Abbe collection), CAPC Bordeaux,
FR
Incheon Women Artists’ Biennale, Incheon, KP
th
2011
nd
Drawn to Disaster, ICA Maine College of Art, Portland, ME, US
Moving Image, Kunstenlab, Deventer, NL
Aesthetic Journalism, Quad, Derby, UK
Rabble-Rousing Going forward backwards in modern art,
Gemeentemuseum Den Haag, Den Haag, NL
Patria O Libertad!, Cobra Museum, Amstelveen, NL
SALON POPULAIRE, Berlin, DE
L'énigme du portrait, MAC, Marseille, FR
Be My Guest: 10 Encounters with Aboriginal Art , Museum of
contemporary aboriginal art, Utrecht, NL
What if ?, Hå gamle prestegard, Naerbø, NO
You Are All Individuals!, Castrum Peregrini, Amsterdam, NL
Patria o Libertad !, Cobra Museum, Amstelveen, NL
Two Works,Gallery Charim Unger / CUC, Berlin, DE
2010
Out of Place, curated by Noah Simblist, Lora Reynolds Gallery, Austin, US
Moving Worlds, Podbielski Contemporary, Berlin, DE
The Right to Protest, Museum on the Seam, Jerusalem, IL
Poland-Germany. 1000 years, Martin-Gropius-Bau Berlin, DE
Overview Israeli Video 2000-2010, Haifa Museum of Art, IL
1st Ural Industrial Biennial, Yekaterinburg, RU
Yesterday will be better – Taking Memory into the Future, Aargauer
Kunsthaus, Aarau, CH
The Yvonne Rainer Project, BFI Gallery, London UK
Breaking News, Fondazione Fotografia, Cassa di Risparmio di Modena, IT
6 Bienal Media City Seoul, Seoul, KR
Mur I Wieza and Mary Koszmary, 29 Bienal de São Paolo, BR
Les Promesses du Passé, curated by Joanna Mytkowska and Christine
Macel, Centre Pompidou, Paris, FR
Groupshow Art & Film, curated by Anna Jermolaewa, Engholm Galerie,
Wien, AT
Monumentalisme, The Temporary Stedelijk at the Stedelijk Museum, A
Declaration, Stedelijk Museum, Amsterdam, NL
Che cosa sono le nuvole? Artworks from the Enea Righi Collection, Mary
Koszmary, Museion, Bolzano, IT
… on the eastern front, video art from central and eastern Europe 19892009, “Mary Koszmary, Ludwig Museum, Budapest, HU
Trembling Time: Recent Video From Israel, “Trembling Time, Kings of the
Hill, Mary Koszmary, a.o.”, Tate Modern, London, UK
Early years, “Mur I Wieza”, Kunst-Werke, Berlin, DE
th
th
2009
Artes Mundi, “Mur I Wieza, Mary Koszmary, a Declaration”, Cardiff, Wales,
UK
Building memory, four films about architecture, monuments and
community, “Summer Camp”, Awodah, Vilnius – Tódz - Dortmund –
Herzliya
Der Offene Garten, Kunsthalle Lingen, Lingen, DE
Homeless Home, Museum on the Seam, Jerusalem, IL
A Generation, Petach Tikva Museum, Petach Tikva, IL
Ecstatic Resistance, Grand Art, “Mary Koszmary,” Kansas City, US
Niet normaal, difference on display. “Odds and Ends”, Beurs van Berlage.
Amsterdam, NL
Who is afraid of the artist? Palais des Arts de Dinard, Dinard, FR
Arhitecture & Memory, British Film Institute, London, UK
Earth: Art of a Changing World, “Kings of the Hill”, Royal Academy of Arts,
London, UK
Silent, “a Declaration”, “Trembling Time”, Hiroshima City Museum of
Contemporary Art, Hiroshima, JP
The Symbolic Efficiency of the Frame, “Mary Koszmary”, International
Contemporary Art Biannual, Tirana, AL
Acting Out: Social Experiments in Video, “Wild Seeds”, ICA, Boston, USA
Hugging & Wrestling, “Trembling Time” Museum of Contemporary Art
Cleveland, OH, US
Pacific Meridian, “a Declaration” Vladivostok International Film Festival for
Asian Pacific Countries, Vladivostok, RU
Stranded Positions, “A Declaration”, Ausstellungsraum Klingental, Basel,
CH
Transitland. Video art from Central and Eastern Europe 1989-2009, “Mary
Koszmary”, organized by InterSpace, Sofia, transmediale, Berlin and Ludwig
Museum, Budapest
Monument to transformation, “Mary Koszmary” organized by transit,
Prague
Places To Be. New York – Shanghai – Tel Aviv – Texas – Zagreb, “The
Missing negatives of the Sonnenfeld Collection”, Annet Gelink Gallery,
Amsterdam, NL
The 11th presentation of Le Mois de la Photo a Montréal 2009,
“Summercamp”, CA, US
Contour, 4 Biennial of Moving Image, “Mary Koszmary”, Mechelen, BE
As Is, Mostra di arte Contemporanea di Israele, “Trembling Time”, Roma, IT
Troubles aux frontières, Galerie Marian Goodman, “a Declaration”, Paris, FR
th
2008
Pop Up! , Ludwig Forum, “Summer Camp”, Aachen,, DE
Auto. Dream and Matter, “Kings of the Hill”, LAboral Centro de Arte y
Creacion Industrial, Gijon, S and Dos De Mayo Art Centre, Madrid, S
Promised Land, “Trembling Time, When Adar Enters”, Gemak, Gemeente
museum Den Haag, NL
Anabasis. Rituals of Homecoming, “Mary Koszmary”, Book Art Museum,
Lodz, PL
Imaginary Coordinates, “Summer Camp”, Spertus Museum, Chicago, US
Floating Architectures and Constant Centers: Some Projections, “Ad De’lo Yoda”,
Martin Art Gallery, Muhlenberg College, PA, US
C.H.O.S.E.N., “Mary Koszmary”, Wyspa Institute of Art, Gdansk, PL
'She doesn’t think so but she’s dressed for the h-bomb', “Trembling Time, Kings of the
Hill, Wild Seeds, a.o.” Starr auditorium, Tate Modern, London, UK
We never looked better, “The missing negatives of the Sonnenfeld collection”,
Museum of the Jewish People, Tel Aviv, IL
Video Exhibition, curated by Erzen Shkololli, Contemporary Art Institute EXIT, Peje
Kosovo, RS
The Hidden Trace – Jewish Paths through modernity, “Trembling Time”, “Low Relief II”,
Felix-Nussbaum-Haus, Osnabruck, DE
World Tale: Mixed Narrations: A Video Parade from Different Points, “Mary
Koszmary”, The Hacettepe University Art Museum, Ankara, TR
Artist-Citizen, 49 October Salon, “Summer Camp”, Belgrade, RS
Momentum, “a Declaration”, Samuel P.Harn Museum of Art,Florida, US
The Art of the State,”a Declaration”, Joods Historisch Museum Amsterdam, NL
H-BOX, “Mary Koszmary”, Tate Modern, London, UK
“Like an Attali Report, but different", “Mary Koszmary”, Kadist Art Foundation, Paris,
FR
Democracy in the Age of Branding, “Wild Seeds”, Sheila C. Johnson Design Center of
Parsons The New School for Design in New York, US
The Object Quality of the Problem: The Space of Israel/Palestine, Henry Moore
Foundation, “Wild Seeds”, Leeds, UK
Brave New Worlds. “Wild Seeds”, “a Declaration” Jumex Collection, MX
Territorial Phantom, “Mary Koszmary”, Montevideo, Amsterdam, NL
The Greenroom: Reconsidering the Documentary an Contemporary Art. “Summer
Camp”, CCS BARD Hessel Museum, NY, US
Deceiving the Enemy, Arteria, “Wild Seeds”, Bogota, CO
Time beyond Border, Van Leer Institute, “Mary Koszmary”, Jerusalem, IL
Personal Landscapes, Contemporary Art from Israel, “Kings of the Hill”, American
University Museum, Washington DC, US
th
2007
2006
Stutter and Twitch, “Trembling Time”, Justina M. Barnicke Gallery, Toronto, CA
Les Inquiets, 5 artistes sous la pression de la guerre, “Low Relief”, Centre Pompidou,
Paris, FR
H BOX, “Mary Koszmary”, Centre Pompidou, Paris, F, Museo de Arte Contemporaneo
de Castilla y Leon, Spain, Musee d’Art Moderne Grand-Duc Jean, Luxembourg and
Tate London, UK
Impakt EVENT, “a Declaration, Summer Camp, Mary Koszmary”, Utrecht, NL
Imaginary Zone, “Siren’s Song”, ZKM Seoul Office. Seoul, KR
A Forest and a Tree, “Trembling Time”, Kunsthalle Energasse, Vienna, AUT
Transforming Memory. The Politics of Images. “Trembling Time”, Art Gallery Nadezda
Petrovic, Cacak, SRB
Documenta 12, “Summer Camp”, Kassel, DE
Brave New Worlds, “Wild Seeds, a Declaration”, Walker Art Centre, Minneapolis, US
Wherever We Go: Art, Identity, Cultures in Transit, “a Declaration”, San Francisco Art
Institute, San Francisco, US
Um Atlas de Acontecimentos/ An Atlas of Events, The State of the World, “Wild
Seeds”, Fundacao Calouste Gulbenkian, Lisboa, PT
Play Safe, Battlefields in the playground, “Wild Seeds”, Project Arts Centre, Dublin, UK
Im Auge des Zyklons/In the eye of the storm, “Trembling Time”, Kunstmuseum St.
Gallen, CH
Regarding Fear and Hope, “Odds and Ends”, Monash University Museum of Art,
Victoria, AU
Thermocline of Art-New Asian Waves (a ZKM 10th Anniversary Exhibition), “Sirens’
Song”, Museum of Contemporary Art, ZKM Karlsruhe, DE
War and Cinema, “Wild Seeds”, Centre Pompidou, Paris, FR
Dateline Israel: New Photography and Video Art, “Freedom Border “, “Trembling
Time”, The Jewish Museum, NY, US
Demolition, “Refusenik”, Engholm/Engelhorn gallery, Vienna, AT
27 Bienal de São Paulo, “A Declaration”, “Wild Seeds, Low Relief II (4)”, São Paulo, BR
Records and Habits. The Time Machine / Images of Space, Tapies Foundation, “Low
Relief II, Wild Seeds, Kings of the Hill” Barcelona, ES
Israele, arte e vita, 1906-2006, “Trembling Time”, Milano, Palzzo Reale, IT
Wherever We Go, Spazio Oberdan, “Wild Seeds”, Milan, IT
7th Werkleitz Biennial, “Wild Seeds”, Halle, DE
INSIDE-OUT. Contemporary Artists from Israel, “Sirens’ Song”, Museo de arte
contemporanea de Vigo, Vigo, ES
Coding:Decoding, “Sirens’ Song”, Nikolaj, Copenhagen Contemporary Art Center, DK
David Maljkovic, “Kings of the Hill” Gallery Nova, Zagreb, HR
th
2005
2004
2003
The Art of Living: Contemporary Works from the Israel Museum, “Trembling Time”,
The Contemporary Jewish Museum, San Francisco US
Une Vision du Monde, Works from the Lemaitre-collection, La Maison Rouge, “Kings
of the Hill”, Paris, FR
9th Istanbul Biennial, Istanbul Biennial, “Wild Seeds”, TR
Beograd Nekad I Sad, Galerija, “Trembling Time, You could be lucky”, Beograd,
Belgrade, Serbia and Montenegro
V Internationales Kunstfestival Magdeburg, Art Depot, “Sirens’ Song”, Magdeburg, DE
Prix de Rome.NL, “Siren’s Song, Wild Seeds”, Stichting de Appel, Amsterdam NL
a forest and a tree, “Trembling Time”, Yellow Bird Gallery, Newburgh, New York, USA
Platform Garanti, Istanbul “Trembling Time”, TR
The Hebrews - 100 years of culture in Israel, The Israel Museum and Martin Gropius
Bau “Trembling Time, Low Relief II (4 channel)”, Berlin, DE
Reunion, ByArt Projects, “When Adar Enters, Ad De’lo Yoda”, Tel Aviv, IsraDorothea
von Stetten Kunstpreis, Kunstmuseum BONN “Trembling Time, Low Relief II (1
channel), Freedom Border”, Bonn, DE
Irreducible, CCA Wattis Institute for Contemporary Arts “Kings of the Hill”, San
Francisco, US
Onufri 2004 Prize: Chosen Places, National Gallery of Arts “Trembling Time”, Tirania,
AL
Time Zones: recent film and video, Tate Modern, “Kings of the Hill”, London, UK
Time Depot. Petach Tikva Museum, “Low Relief II (4 channel)”, Petach Tikva, IL
Surfacing, Ludwig Museum Budapest, Museum of Contemporary Art, “When Adar
Enters and Ad De’lo Yoda”, Budapest, HU
Wherever I am, Modern Art Oxford, “Profile, Trembling Time, When Adar Enters, Ad
de’lo Yoda and Blimp”, Oxford, UK
Liverpool Biennial, Festival for Contemporary Art, “You Could Be Lucky” Liverpool, UK
Busan Biennale, Point of Contact, Contemporary Art Exhibition, “When Adar Enters,
Ad de’lo Yoda and Blimp “, Busan, KR
The 10 Commandments, Deutsches Hygiene-Museum, “Trembling Time”, Dresden,
DE
The Mediterraneans, Museum of Modern Art Rome, “Kings of the Hill”, Rome, IT
Art Tower Mito, Contemporary Art Center, “Trembling Time”, Lonely Planet, Ibaraki,
JP
De Appel Foundation, Quicksand, “Low Relief I”, Amsterdam, NL
Witte De With, Territories, “Kings of the Hill”, Rotterdam, NL
Neue Gesellschaft für Bildende Kunst, Wonderyears - New Reflections on Shoah and
Nazism in Israel, “Trembling Time”, Berlin. DE
KW-Berlin, Territories, “,Kings of the Hill”, Berlin, DE
Vane, After-Life, “Trembling Time”, Newcastle upon Tyne, UK
Overbeck-Gesellschaft, “Trembling Time”, Lübeck Kunstverein, Lübeck, DE
O.K Center for Contemporary Art, “Trembling Time”, The Promise, The Land Vienna,
AT
Sheffield Festival of Contemporary Art, “Trembling Time”, Sheffield, UK
2002
2001
2000
1996
Kaap Helder, “Kings of the Hill”, Oude Rijkswerf Willemsoord (Kunst en Cultuur NoordHolland), Den Helder, NL
Galerie der Stadt Schwaz, “Trembling Time”, Schwaz /Tirol, AT
Neue Galerie am Landesmuseum Joanneum, “Profile”, M_ARS-Art and War Graz, AT
Musee d’Art Contemporain de Lyon, Rendez-Vous,”Trembling Time”, Lyon, FR
Brugge Culture Capital of Europe, What? A tale in free images, “Trembling Time”,
Brugge, BE
Galerie Hohenlohe & Kalb, Say Hello Wave Goodbye, “Profile”, Vienna, AT
Manifesta 4, European Biennial of Contemporary Art, “Trembling Time”, Frankfurt am
Main, DE
MIT List Visual Center, Tele-Journeys, “Profile, Trembling Time”, Cambridge, USA
The 4th Gwangju Biennale, “Trembling Time, Disembodying the national army tune”,
Gwangju, RK
De Paviljoens, Non-linear Editing, “Trembling Time”, Almere, NL
De Appel, In the Meantime, “Profile”, Amsterdam, NL
Frankfurter Kunstverein, Neue Welt, “Profile”, Frankfurt am Main, DE
Kunsthuis SYB, '2e Sybren Hellinga Kunstprijs 2001', “Profile”, Beetsterzwaag, NL
Rijksakademie van beeldende kunsten, 'Open Ateliers', “Trembling Time, Disembodying
the national army tune, Tuning (variables XYZ)”, Amsterdam, NL
Greater New York, “The Bathers”, PS1, New York, USA
Open Ateliers, “Haiku, Profile”, Rijksakademie van Beeldende KunstenAmsterdam
Reflex Ensemble in Musical Dialoges, Center for the Arts, Tel Aviv
Borochov Gallery, Tel Aviv IL
B.F.A project, Bezalel academy of arts and design, Jerusalem, IL
Film/Video festivals/ Screenings
2014
2013
2012
And Europe Will Be Stunned, The Short Film Festival, Winterthur, CH
Trembling Time, University of Pennsylvania, US
Inferno, Bucharest International Film Festival, RO
Stedelijk Museum, Amsterdam, NL
Centre Pompidou, Paris, FR
Culture Club Film Screening with Yael Bartana, The 2013 Carnegie
International, Carnegie Museum of Art, Pittsburgh, US
And Europe will be stunned, Belluard Bollwerk International, Fribourg, CH
2011
2010
Zamach, International Film Festival Rotterdam, NL
Conversation with Contemporary artists, Guggenheim Museum,
New York, US
Lezing over Yael Bartana, van Abbemuseum, Eindhoven, NL
Gene Siskel Film Center, Chicago, IL, US
Mur I Weiza, Kasseler Documentar Film - Videofest Kassel, DE
Steirischer Herbst Festival, Graz, Mary Koszmary, AT
And the Moral of the Story is…Witte de With, Center for contemporary art,
Rotterdam, NL
Mur I Wieza, 56 Internationale Kurzfilmtage Oberhausen, DE
Trembling Time, Dawn 2010, San Francisco, USA
Filmfest Hamburg, DE
Mary Kozmary, 55 Internationale Kurzfilmtage Oberhausen, DE
Festival Confronting Cultures, Israël op het podium, Amsterdam, NL
54 Internationale Kurzfilmtage Oberhausen, DE
Summercamp, 37 International Film Festival Rotterdam, NL
A Declaration, 36 International Film Festival Rotterdam, NL
Exposition insulaires, Soiree de projection video et lecture, A Declaration, Credac, Ivrysur Seine, Paris, FR
35e Festival International du Film de La Rochelle, Rochelle, FR
52 Internationale Kurzfilmtage Oberhausen, DE
Le Printemps de Septembre, Teletoulouse, Kings of the Hill, Toulouse, FR
Transmediale 2004, internatiol media art festival, Berlin, DE
33rd International Film Festival Rotterdam, NL
Transmediale 2003, internation media art festival, Berlin, DE
Impakt Festival, Utrecht, NL
Borderlines, Antwerpen, BE
La grande Halle de la Villete, "Nuit Blanche", Paris, F
Kasseler Documentarfilm und Videofest, Kassel, DE
Theater Festival at the Singel, Antwerp, BE
Uitmarkt, Balie, Amsterdam, NL
Festival Bandits Images, Bourges, FR
NEMO festival, Paris, FR
Macau Art Festival, Macau, CN
FACT, Liverpool, UK
Vidéochroniques, Rennes, FR
Video Zone, The 1 biennale for video, Tel-Aviv, IL
Nuits Blanche, Paris, FR
Videotage, Microwave International Media Art Festival, HK
th
2009
th
2008
th
2008
2007
2006
2004
2003
2002
th
th
nd
st
Cinematexas, International Short Film Festival, department of radio-tv-film,
International Competition Program, Austin, Texas, US
VIPER Basel 2002, International Competition Film/Video Programme, Basel, CH
Cite des Ondes, 5th International Manifestation of Video and Electronic Arts of
Montreal, CA
48 International Short Film Festival Oberhausen, DE
4th International Festival of Film and New Media, ‘e-phos', Athens, GR
Media Forum 2002, XXIV Moscow International Film festival, RU
31 International Film Festival Rotterdam, NL
st
Publications
2013
2012
2011
2010
If you will it, it is not a dream/ Wenn ihr wollt, ist e skein Traum, exhibition
catalogue, Revolver German
And Europe will be stunned, exhibition catalogue, Artangel, Ikon,
(Birmingham), Louisana Museum of Modern Art, Museum of Modern Art in
Warsaw, Van Abbemuseum (Eindhoven)
If you want, we’ll Travel to the Moon Together, exhibtion catalogue,
Documenta 12
52nd October Salon, exhibition catalogue, The Belgrade Cultural Centre
(p.52-54)
Duchy, Krytyka Polityczna (issue 26), PL
A Cook Book for Pollitical Imagination, exhibition catalague, Sternberg Press
Terra Incognita, exhibiton catalogue, Incheon Culture & Art Center
,,,And Europe will be stunned, Australian Center for Contemporary Art
Europe will be stunned, Moderna Museet exhibition catalogue, Malmö, SE
Shockworkers of the Mobile Image, Catalogue of the 1 Ural Industrial Biennial
Contemporary Art, Ekateringburg (p. 103-105)
Short Memory, P.S.1. Exhibition Catalogue, New York, USA
Scenes du Sud, Mediterranee, Orientale, exhibition catalogue, Carre d’Art – Musee
d’art Contemporain de Nimes
Imaginary Coordinates, exhibition catalogue, Spertus Museum, Chicago (p.35-36)
Maja Stankovic (ed.), Artist-Citizen, Exhibition catalogue, 49 October Salon, The
Belgrade Cultural Centre (p. 68-69)
Documenta Kassel, exhibition catalogue, Kassel, (p. 218)
Brave New Worlds, exhibition catalogue, Walker Art Center
In the army I was an outstanding soldier, March, Fondazione per l’Arte
Contemporanea (march)
Regarding Fear and Hope, exhibition catalogue, Monash University of Art
st
2008
th
2007
2006
2005
2004
2003
2002
Um Atlas de Acontecimentos/An Atlas of Events, exhibiition catalogue, The State of
the world, Fundacao Calouste Gulbenkian
Dateline:Israel Yael Bartana, exhibition catalogue, Kunstverein Hamburg, Hamburg
New photography and video art, exhibition catalogue, Yale University Press in
association with The Jewish Museum
Im Auge des Zyklons/In the eye of the storm, exhibition catalogue Kunstmuseum St.
Gallen
Yael Bartana, exhibition catalogue, Van Abbemuseum, Eindhoven NL
Wherever we go / Ovunque andiamo, Spazio Oberdan, Milano
PRIX DE ROME.NL 2005, exhibition catalogue, Amsterdam
Die Neuen Hebräer. 100 Jahre Kunst in Israel, exhibition catalogue, Martin Gropius
Bau, Berlin, edited by Doreet LeVotte Harten and Yigal Zalmona
Wherever I Am, Yael Bartana, Emily Jacir, Lee Miller, exhibition catalogue, Modern Art
Oxford, Essays by Linda Grant and Galit Eilat, (p.9-27)
Time Zones: recent film and video, exhibition catalogue,Tate Modern
Kav/Hameorer, magazine for literature and art magazine, (n. 16-18, winter Tel-Aviv,
p.16-20)
Die Zehn Gebote, Deutsche Hygienes Museum, Dresden,
(June 19 – December 5 p.115)
Quicksand, exhibition catalogue, De Appel Foundation Amsterdam
Lonely Planet, exhibition catalogue, Art Tower Mito, Ibaraki, Japan
Esche, Charles, Cream 3 - Contemporary Art in Culture,
Phaidon, New York (p.56-59)
Territories, KW- Institute for Contemporary Art Belin,
M_ARS, Kunst und Krieg by Weibel P. Neue Galerie Graz am Landesmuseum
Joanneum, Hatje Cantz, Frankfurt
The Promise, The Land.Jewish-Israeli Artists in Relation to Politics and Society, by
Edlinger, Stella Rollig and Roland Schöny O.K. Centrum fur Gegenwartkunst, Linz,
Manifesta 4, Hatje Cantz Publishers, Frankfurt, (p.170-171)
Articles/ Reviews
2012
“Politics of Space and Belonging and the Return of Space” (2 January),
by Sasha Crasnow, Hyperallergic, Brooklyn, USA
2011
Review in Artforum, by John Arthur Peetz (7 September)
“We will be strong in our Weakness”, Berlinale Forum 2011
“Out of Place, Lora Reynolds Gallery Austin” by Kate Green, Art Lies, A
Issue 67, Contemporary Art Journal
“Propaganda für Polen”, Art, D
“54th Venice Biennale: Yael Bartana”, Art it Asia
“Yael Bartana: Can art help build a brave new world ?” by Anthony Downey,
Art Review (issue 51)
“A Kibbutz in Warsaw?” by Blake Gopnik, The Daily Beast (3 Juny)
“Anachronisme, absence, provocation at the Venice Biennale”, by Kaelen
Wilson-Goldie, The Daily Star (20 Juny)
“When art becomes real” by Nina Folkersma, Fanatismo
“Kijke, Kwade nachtmerrie” by Rudi Fuchs, Groene Amsterdammer
“The Venice Biennale’s balance of power”, The Guardian
“Israeli Contemporary Art Reflecting on a Severed Continuity”, JMB Journal
“Die Gründung des Mouvements Vollzieht such im Kopf”, Kunstforum
“Germany is your America” by Key Johnson, New York Times (28 October)
“Yael Bartana at the Polish Pavilion for the 2011 Venice Biennale”, Polish
Culture
“Reflecting on Arts Paradoxes” by Robert Nelson, The Age (28 December)
“Venice Biennale: Yael Bartana” by Rebecca Lewin, This is Tomorrow
( 1 July)
“Yael Bartana” by Thea Liberty Nochols, Art 21
Klat Magazine (n.4)
“Docufiction”, Spike Magazine (November)
“Yael Bartana’s Polish Trilogy”, Art Review (April)
“Kijken, kwade nachtmerrie” by Rudi Fuchs, De Groene Amsterdammer,
(07 -01,p. 49)
“State of Metaphor” by Mazria Katz , Aapmagazine, (sep/oct, p. 111-115)
“Oorlog en terreur…” by Evelien Baks,AD, (12 January)
“Rituelen tonen absurditeit van het dagelijks leven” by Hans den Hartog Jager,NRC
Handelsblad (16 January)
“Hogere Macht” by Kim Bos, Vrij Nederland, (10 January,p. 79)
“Antisemiet of niet” by Rudie Kagie, Vrij Nederland, (n. 34,p. 17)
“Top 5 Nederland” by Rutger Ponzen, De Volkskrant,, Kunstbijlage, (p. 4, 27-12)
“Der finstre Himmel über der Wüste” by Ralff Hanselle, Monopol, (n. 12, December,
p. 106-107)
“Bartana gebruikt Israëlische propagandaclichés voor Palestina” by Rutger Pontzen
,de Volkskrant (12 september)
“Snap judgements of Israel, more than words can say” , New York Times (14 April)
Artforum, (October, p.278)
“Community Service”. Frieze (October 2006, p.37-40)
“Voorkeur beeldende kunst”, NRC Handelsblad (2 March)
“Ruimte voor frisse politieke kunst en rustige observaties” by Sacha Bronwasser, De
Volkskrant, (February 28, p.19)
th
t
st
2010
2009
2008
2007
2006
“Macho’s in four wheel drives” by Janneke Wesseling, NRC Handelsblad
(February 24)
“En….profiel”, 8Weekly, Yael Bartana en Wilhelm Sasnal, schilderijen en films, by Freek
Lomme, (20 march)
2005
“Future Greats”, Art Review (December)
“Lonnie van Brummelen wint Prix de Rome”, de Volskrant (July 1)
“Prix de Rome moet naar Bartana”, De Volkskrant (June 4)
“De nieuwe Prix is voor Bartana”, Het Parool (June 11)
2004
“London: Tate Modern. Time Zones: Recent Filma and Video”, Contemporary
(issue 70, pp.58-59)
“Tussen massa en individu” by Marina de Vries, De Volkskrant (October 7, Kunst
Bijlage, pp.10-11)
“Was Will Europa?”, Flash Art (Vol.XXXVII, pp.98-99)
“What’s the difference”, Frieze (Issue 84,pp.72-77)
“The six wannabees as a soccer team”, Tubelight (issue 32, p.09)
“Quicksand engulfs and disorients”, Amsterdam Weekly, (May 5-11)
Vrij Nederland (April 24)
“Plaagstootjes van jonge curatoren”, De Volkskrant (April 8)
Click opera (March 14 ), www.livejournal.com
“Yael Barthana”,Art Review (December/January, p,102 )
“Nähe und Distanz“, Profile (n. 28, p. 35)
“Remapping the Region“ by Richter Dorothee, Die Springerin (Summer 03, p. 34-36)
Flash Art, (Januari/Februari 2003, p. 62, 63)
“Knapp fromulierte Kunstkonzepte“ by Holm Peter, Kieler Nachrichten, (22 January)
“Junge Kunst transkulturell“, Lübecker Stadtzeitung (January 21)
“Heimat, von außen gesehen“, Lübecker Nachrichten, (January 18)
“Yael Bartana” by Esche Charles, Young, Lesley, 03
“Manifesta 4“, Art Monthly, (July/August )
“Künstler-Portraits – Yael Bartana“, Frankfurter Rundschau ( Juny 3)
“Manifesta 4” by Kate Bush, Art Forum
“Spotlight—Manifesta 4” by Angela Rosenberg, Flash Art (issue 225, July/September)
“Sinaasappelbron aan de Main-oever “ by Sandre Heerma van Voss, NRC Handelsblad
“Bibberen, beven, rillen, en sidderen in trillende tijd” by van Elsberg Jacquine, Skrien
“Manifesta 4” by Kuni Verena, Frieze (issue 69, p.104)
“Self portrait” by Yael Bartan, Tema Celeste (issue 91)
“Keelzangers en een dood paard in Open teliers” by Hans den Hartog Jager, NRC
Handelsblad
“Boodschappen in een trillingslaag” by Esma Moukhtar, de Volkskrant, NL
“In the MeanTime…” by Alex Mar, Metropolis M (Special edition Summer 2001, p .48)
th
2003
2002
2001
“Marsmuziek en een leger van naalden” by Paola van de Velde, Amsterdamse
“Rijkakademie houdt Open Ateliers” by Paola van de Velde, De Telegraaf
“Jennifer Tee serveert taart. Rijksakademiestudenten hebben overduidelijk lol in hun
werk” by Paola van de Velde, De Telegraaf
“Geluid, veel geluid in Open Ateliers”, de Volkskrant
“Veel installaties en een enkel schilderij of beeld“ by Lamoree Jhim, Het Parool
“Liever een camera dan verf en kwast” by Marina de Vries, Het Parool
Collections
Museum of Modern Art, New York (USA)
Centre Pompidou, Paris (F)
Tate Modern, London (UK)
Jewish Museum New York, New York (USA)
The Israel Museum, Jerusalem (IL)
Museum Boijmans Van Beuningen, Rotterdam (NL)
Van Abbemuseum, Eindhoven (NL)
Museum de Paviljoens, Almere (NL)
Museum St. Gallen, St Gallen (CH)
Kadist Art Foundation (F)
Haags Gemeente Museum, Den Haag (NL)
Stedelijk Museum, Amsterdam (NL)

Vergelijkbare documenten

Yael Bartana

Yael Bartana The Right to Protest, Museum on the Seam, Jerusalem, IL Poland-Germany. 1000 years, Martin-Gropius-Bau Berlin, DE Overview Israeli Video 2000-2010, Haifa Museum of Art, IL 1st Ural Industrial Bienn...

Nadere informatie